Luo Qingyun, like a flower of time, blows up scenes that are eternal and touching.

Things have no fixed color and shape, but they can be represented by white 3.
When all kinds of pictures overlap together, it is what Tian Ying sees.
However, seeing this situation makes Lingqing frown.
There is no fixed color and shape, but it also represents the real rules of heaven and earth.
But there is also no color or factor of Tian Ying’s body.
Whether it is Lingqing or Lingdao Road flyover, it has been proved that the fairy has already perfected her own aura.
That is, it fixes its own color.
After that, everything I saw, heard, felt and thought was based on "I"
Even if it is to see others, the Tao is first rebuilt by the "I"
Although Li Li and Zhu Guang had a perfect inspiration before they were refined, they didn’t have the opportunity for others to feed a lot of food to their mouths.
They all build their own way little by little.
And Tian Ying is the first time that the fairy has not yet passed the first Armageddon.
Yuan Shen hasn’t been completely enlightened yet, and suddenly realized so many Mari Amachi.
It’s like a baby swallowing a lot of food.
A baby can refuse when she is full, but she will be lost and assimilated by "food"
Seeing Qingyun dancing, the divine light in Tian Yingyuan’s eyes has become more and more vivid.
Lingqing stretched out his hand and pushed a Qingyun from his forehead, and Qingyun rose together.
Yuan Shen jumped up, and Tian Ying, Yuan Shen, had a flash of light on his head.
Sprinkle the brilliance of the road and scatter the Qingyun picture from Xinhua’s notes.
These notes are flying wildly like headless flies.
But with their brilliance, they can’t fly out of Qingyun.
However, Tian Ying still feels that there are still several notes flying in the music spectrum movement.
Is it that before it comes to the picture, it is illuminated by an epiphany and the clouds are flying honestly.
Lingqing didn’t care about these moon-like, round, shining and dancing Tian Ying Yuan Shen.
Gradually, without the influence of these movements, Tian Yingyuan, who felt this brilliance, gradually woke up.
After knowing her own situation, Tian Ying gave up thinking and immediately understood and reconstructed these notes representing Mari Amachi.
Instead, long sleeves, a swing, Qingyun stage, dancing and dancing, and nine swords in the sky continue to understand the music spectrum.
Instantly, she consciously realized that the notes were like flowing water, and the clouds were constantly evolving.
The cloud world that is piled up into a heavy note.
In this way, the notes on Qingyuntai are like fog and round light, and there are fairy eyes in the moon, and the hands are swaying and dancing.

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